Film kejahatan

James Cagney dan Humphrey Bogart dalam sebuah cuplikan promosional untuk film kejahatan The Roaring Twenties (1939).

Film kejahatan adalah sebuah film yang masuk genre fiksi kejahatan. Film-film dari genre tersebut melibatkan berbagai aspek kejahatan dan fiksi. Dalam hal gaya, genre tersebut tumpang tindih dan terpadu dengan beberapa genre lainnya, seperti drama atau film gangster,[1] selain juga meliputi komedi, dan sebaliknya, terbagi dalam banyak sub-genre, seperti misteri, suspen atau noir.

Penulis naskah dan cendekiawan Eric R. Williams mengidentifikasi film kejahatan sebagai salah satu dari sebelas super-genre dalam Screenwriters Taxonomy, mengklaim bahwa seluruh film naratif berjangka fitur dapat diklasifikasikan oleh super-genre tersebut. Sepuluh super-genre lainnya adalah laga, fantasi, horor, romansa, fiksi ilmiah, potongan kehidupan, olahraga, cerita seru, perang dan barat.[2] Williams mengidentifikasi drama dalam kategori luas yang disebut "jenis film", misteri dan suspen sebagai "makro-genre", dan film noir sebagai "wadah penulis naskah" menjelaskan bahwa karakteri tersebut bersifat tambahan alih-alih eksklusif.[3] Chinatown merupakan contoh film yang merupakan film kejahatan (super-genre) drama (jenis film) yang juga misteri (makro-genre) noir (wadah).

Referensi

  1. ^ "Metasearch Search Engine". search.com (dalam bahasa Inggris). Diakses tanggal 2019-01-18.
  2. ^ Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. ISBN 978-1-315-10864-3. OCLC 993983488. P. 21
  3. ^ Williams, Eric R. "How to View and Appreciate Great Movies". English (dalam bahasa Inggris). Diakses tanggal 2020-06-07.

Sumber

Bacaan tambahan

  • Criminology and Criminal Justice
  • Cavender, Gray, and Nancy C. Jurik. "Risky business: Visual representations in corporate crime films." Routledge international handbook of visual criminology (2017): 215–228.
  • Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies (2006) excerpt
  • Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." Journal of criminal justice education 29.2 (2018): 178–197. [1]
  • King, Neal, Rayanne Streeter, and Talitha Rose. "Cultural Studies Approaches to the Study of Crime in Film and on Television." Oxford Research Encyclopedia of Criminology and Criminal Justice (2016). online
  • Leitch, Thomas M. Crime Films. (Cambridge UP, 2002), ISBN 978-0-521-64671-0
  • Lenz, Timothy O. Changing Images of Law in Film and Television Crime Stories (Lang, 2003)
  • Lichtenfeld, Eric. Action speaks louder: Violence, spectacle, and the American action movie (Wesleyan University Press, 2007).
  • Mayer, Geoff. Historical dictionary of crime films (Scarecrow Press, 2012). online
  • Rafter, Nicole. "Crime, film and criminology: Recent sex-crime movies." Theoretical criminology 11.3 (2007): 403–420.
  • Rafter, Nicole Hahn, and Michelle Brown. Criminology goes to the movies: Crime theory and popular culture (NYU Press, 2011).
  • Ramaeker, Paul. "Realism, revisionism and visual style: The French Connection and the New Hollywood policier." New Review of Film and Television Studies 8.2 (2010): 144–163. online
  • Simpson, Philip L. Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction (University of Southern Illinois Press, 2000).
  • Sorrento, Matthew. The New American Crime Film (2012) excerpt
  • Spina, Ferdinando. "Crime Films". Oxford Research Encyclopedia of Criminology (Oxford University Press, 2017)
  • Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. "Constructing crime and justice on film: Meaning and message in cinema." Contemporary Justice Review 14.4 (2011): 457–476. online

Eropa

  • Baschiera, Stefano. "European Crime Cinema and the Auteur." European Review 29.5 (2021): 588–600.
  • Chibnall, Steve, and Robert Murphy. British crime cinema (Routledge, 2005).
  • Davies, Ann. "Can the contemporary crime thriller be Spanish?" Studies in European Cinema 2.3 (2005). online
  • Forshaw, Barry. British crime film: Subverting the social order (Springer, 2012).
  • Forshaw, Barry. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV (2014) excerpt
  • Gerhards, Sascha. "Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s." in Generic Histories of German Cinema: Genre and its Deviations (Camden House, 2013) pp: 133–155.
  • Hansen, Kim Toft, Steven Peacock, and Sue Turnbull, eds. European television crime drama and beyond (Cham: Palgrave Macmillan, 2018).
  • Marlow-Mann, Alex. "Strategies of Tension: Towards a Reinterpretation of Enzo G. Castellari's The Big Racket and the Italian Crime Film." in Popular Italian Cinema (2013) pp: 133–146.
  • Peacock, Steven. Swedish crime fiction: Novel, film, television (Manchester University Press, 2015).
  • Reisinger, Deborah Streifford. Crime and media in contemporary France (Purdue University Press, 2007).
  • Toft Hansen, Kim, Steven Peacock, and Sue Turnbull. "Down these European mean streets: Contemporary issues in European television crime drama." in European television crime drama and beyond (2018) pp: 1–19. online
  • Wilson, David, and Sean O'Sullivan. Images of Incarceration: Representations of Prison in Film and Television (Waterside Press, 2004), British emphasis.

Konten ini disalin dari wikipedia, mohon digunakan dengan bijak.

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