Ensiklopedia Dunia

De locis sanctis (Mengenai tempat-tempat suci) dikomposisikan oleh biarawan Irlandia Adomnán, sebuah salinan dipersembahkan kepada Raja Aldfrith dari Northumbria pada 698. Karya tersebut berdasarkan pada sebuah catatan buatan biarawan Franka Arculf dari perjalanannya ke Tanah Suci, dimana Adomnán, dengan bantuan dari beberapa sumber tambahan, dapat menghasilkan karya deskriptif dalam tiga buku, berkaitan dengan Yerusalem, Betlehem, dan tempat lain di Tanah Suci, dan sekilas dengan Aleksandria dan Konstantinopel. Karya tersebut ditujukan untuk memberi catatan orang percaya terhadap apa yang Arculf sebenarnya saksikan pada perjalanannya. Banyak manuskrip terkandung peta Yerusalm terawal kedua yang diketahui (karya tersebut menjadi peta terawal yang diketahui sampai penemuan Peta Madaba.)

Karya tersebut berisi empat gambar gereja Kristen terawal yang diketahui di Tanah Suci; tiga berada di Yerusalem (Gereja Makam Kudus, Gereja Sion, dan Kapel Kenaikan) dan satu di Nablus (Gereja Sumur Yakub).^[1]

Referensi

^ Kathryn Blair Moore (2018), Adomnán’s On the Holy Places: Pilgrimage Manuscripts and Architectural Translation from Jerusalem to Europe, Art in Translation, 10:1, 11-29, DOI: 10.1080/17561310.2018.1424310 "The selected build-ings are presented in both the ground-plans and corresponding textual descriptions as inscribing the most important traces of Christ’s corporeal presence in and near Jerusalem. These are his footprints on the Mount of Olives enclosed by the Church of the Ascension (Figure 1), the imprints of his face and hands on the Column of the Flagellation inside the Church on Mount Sion (Figure 2), and his empty tomb in the Church of the Holy Sepulcher (Figure 3). The fourth ground-plan illustrates the Church at Jacob’s Well in Nablus (Figure 4), assimilated to the form of the Cross.... The illustrations in Adomnán’s book are the first surviving drawings of the Christian pilgrimage churches in the Holy Land."

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[1] Kathryn Blair Moore (2018), Adomnán’s On the Holy Places: Pilgrimage Manuscripts and Architectural Translation from Jerusalem to Europe, Art in Translation, 10:1, 11-29, DOI: 10.1080/17561310.2018.1424310 "The selected build-ings are presented in both the ground-plans and corresponding textual descriptions as inscribing the most important traces of Christ’s corporeal presence in and near Jerusalem. These are his footprints on the Mount of Olives enclosed by the Church of the Ascension (Figure 1), the imprints of his face and hands on the Column of the Flagellation inside the Church on Mount Sion (Figure 2), and his empty tomb in the Church of the Holy Sepulcher (Figure 3). The fourth ground-plan illustrates the Church at Jacob’s Well in Nablus (Figure 4), assimilated to the form of the Cross.... The illustrations in Adomnán’s book are the first surviving drawings of the Christian pilgrimage churches in the Holy Land."

[1]

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De locis sanctis

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